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The Twenty Ten project is nearly wrapped up, though some exciting outcomes will still be revealed – including a book and an exhibition of some of the best of the work produced – and the content is still available for viewing and purchase online.

Looking back on the project, Dave Larsen, Director of Africa Media Online, outlines some of the successes achieved:

  • We did get the Twenty Ten material under the noses of editors of a significant number of leading publication in Africa and all over the World
  • We gained significant profile in leading industry publications
  • We built distribution systems that worked extremely effectively distributing content to all corners of the globe in short periods of time
  • We gave profile to numbers of African media professionals
  • We put the issue of Africans telling Africa’s story on the media agenda in the media industry
  • We made a lot of content accessible to a lot of people in Africa and around the world, primarily through trade exchanges
  • We sold some content that brought some initial revenue to the participating journalists
  • We will continue to sell content over the years ahead and to provide one platform for journalists to be commissioned

“In view of this our perspective as Africa Media Online is that this has been a worthwhile project. We attempted a very great thing and while we did not obtain everything we would have wished for, collectively we accomplished something significant.”

One of the Internet’s largest public content sites and the most popular Africa information destination on the web, allafrica.com  averages some two million visits and five million page impressions each month. This reach will certainly play a most important role in distributing the content of the Twenty Ten project far and wide – helping Africa tell Africa’s stories.

The kind of stories, of course, are not just straight sports reporting. Pictured above by Samantha Reinders, for example, is nine-year-old Diego Mano from Mannenburg in Cape Town. This is part of a series commissioned by the Twenty Ten editorial team to showcase the influence of football’s stars on every aspect of African life – including the naming of its children – and was one of the 11 images run by allafrica.com as a recent photo essay.

I appreciated the boldness and honesty of Onyango-Obbo’s blog on Kenya’s Daily Nation’site. The article – read it in full below – was shared with me by one of the Twenty Ten Allstar journalists, and it certainly does go a long way to articulating why our coverage of this World Cup is quite so important: by focusing on such a significant sporting event, rather than the usual fare of African political or environmental catastrophe, Twenty Ten invests a positive energy into this continent’s journalism and thereby, I believe, its democracy.

There were sniggers in Africa about last week’s elections in Britain. In some places, election officials were overwhelmed by long queues and some voters ended up not casting their ballots.

However, on Tuesday evening, we were treated to a dramatic example of how ruthlessly efficient an old democracy can be. In less than three hours, Prime Minister Gordon Brown held a press conference to announce he was resigning as Labour Party leader, and to say he expected that Conservative Partly leader David Cameron would be invited by the Queen to be the next prime minister.

He then went to Buckingham Palace to hand in his resignation, left without police outriders clearing traffic for his motorcade since he was now an ordinary citizen, and indeed, got caught in a traffic jam. In the meantime, his personal possessions were being moved out of No. 10 Downing Street.

As he spoke at the Labour Party headquarters to bid the staff farewell, Cameron made his way to Buckingham Palace to see the queen. The pictures of the queen receiving him were available to the world. Another 15 minutes later, he was out and in 10 Downing Street — which probably still had the whiff of Mrs Brown’s perfume in the air — as new prime minister. Say what you will, that was impressive stuff.

The discussion on BBC’s Focus Africa on Wednesday morning was about what a Cameron leadership meant for Africa. There was a strong view that because he is, compared to Brown, a hardliner on immigration, fewer Africans might get political asylum, and probably quite a number already there illegally could be deported.

It is embarrassing to hear Africans worrying about their inability to get asylum and emigrate to the West. Nevertheless, because of the reality of the large African Diaspora and the fact that their remittances are the largest source of foreign exchange for some countries (like Eritrea), it is a big issue.

For this reason, my sense is that elections in the West today mean more for Africans — especially the millions who depend on remittances from relatives — than our own national elections. Our elections will not change lives for many, but if 10,000 Kenyans or Ugandans were expelled from the UK, the consequences back home would be devastating.

In the long term, though, it is not the politics of the West that will most affect Africa. It is the non-political things like sports. The dozens of African players like Chelsea’s Didier Drogba have turned European leagues into a near-cult cross-border phenomenon in Africa. Daily, the media have stories about the goals African footballers scored in the English Premier League, for example.

Every week, we are treated to Ethiopians and Kenyans winning marathon after marathon in European and American races. This sporting success has created the one class of wealthy Africans whom, you can confidently say, has grown rich without being corrupt.

The global success and stardom of these African sporting figures is possibly the single largest force influencing what poor and working class children on the continent want to be. From Maputo to Algiers, dozens of boys have taken to football, often playing with crudely made balls, in the hope they will become the next Samuel Eto’o.

Across countries like Ethiopia and Kenya, thousands of young boys and girls daily take to the hills at dawn to run, hoping that one day they will find the fame and fortune of Sammy Korir or Haile Gebrselassie. There are no things that Africans experience collectively like the ups and downs of their sportsmen and women in Europe.

They are having a homogenisation effect whose consequences could be very visible in another five to 10 years. But if the homogenisation of Africa were happening only from these Diaspora and sporting sources, they would not be far-reaching. However there is another force that is “flattening” Africa together dramatically — Nigerian films (Nollywood).

Other than the pride in Nelson Mandela, the books of Chinua Achebe, and the music of Hugh Masekela, I cannot imagine an African product that has been as pervasive as Nollywood. In turn, Nollywood has helped touch off a new infatuation with things African. In countries like Sierra Leone, there are now FM stations that play only African music.

Many African TV stations, like Kenya’s Citizen, now have an all-African programmes schedule, a large chunk of them locally produced. If you went into hibernation in 1990 and woke up today, it is in the field of sports stars and cultural consumption of Africa today that would most strike you as being very different. Its politics, well, is little changed.

cobbo@ke.nationmedia.com

Posted via web from africanmedia’s posterous

Lusaka, Zambia

As part of the Twenty Ten project, World Press Photo hosted two multimedia workshops in 2010, one in Johannesburg, South Africa, and one in Lusaka, Zambia. These were the first two multimedia workshops run by World Press Photo in its 55 year history, reflecting the shift taking place in photojournalism globally with the growing influence of new media platforms. The Zambia workshop was hosted by Panos Southern Africa who not only provided both excellent logistical support, but also provided much needed input in terms of fixing and story opportunities. As Managing Director of Africa Media Online I was there as part of our involvement as a partner in the Twenty Ten project and put together this multimedia production in an attempt to capture both something of the value of the training provided by DJ Clark and Jonathan Torgovnik and something of what multimedia journalism is.

The Twenty Ten project is funded by the Dutch Postcode Lottery and is a partnership between World Press Photo, FreeVoice, Africa Media Online and lokaalmondiaal training over 120 African journalists ahead of the 2010 FIFA World Cup to tell Africa’s story from an African perspective at a time when the world’s attention is focused on Africa’s first World Cup.

If you are unable to view the embedded video above, click on the links below. These are best viewed in Firefox, Safari or Chrome. Internet Explorer seems to give trouble on certain platforms.

Click here to view the best of the multimedia productions that have emerged out of the Johannesburg and Lusaka Workshops. Use rights to these and other productions that will be produced over the period of the lead up to and during the 2010 FIFA World Cup can be purchased from Africa Media Online.

With 208 journalists from some 34 African countries, the ‘Allstar’ journalists of the Twenty Ten project certainly do hail from all parts of Africa. That was certainly made clear when we all sat together in the training workshops, comparing notes from our respective regions of the world. But I don’t think that many comprehend quite how far around the globe these African voices are being amplified.

Africa Media Online, the organization responsible for the distribution of the content provided by the project’s journalists – including text, photography, audio and multimedia – works with dozens of international agencies who act as ‘resellers’, distributing content in their own territories and languages.

The main players involved in distributing Twenty Ten content include:

China Foto Press in China

dpa Picture Alliance in Germany

East News in Poland

Fotolink in Russia and Ukraine

Hollandse Hoogte in The Netherlands

Image Works in the USA

Imagine China in China

Keystone in Switzerland

La Presse in Italy

laif in Germany

Majority World in Bangladesh and the UK

Newscom in the USA

Other Images in South America

Panos in the UK

Pixpalace in the USA

Sipa in France

ullstein in Germany

Other resellers of Africa Media Online content who have access to the material but operate in more specialist niches, include

akg images in Germany

Alamy in the UK

Alinari in Italy

Belga in Belgium

Construction in the UK

Dukas in Switzerland

fotofinder in Germany

imago in Germany

IML in Greece

Lebrecht in the UK

mauritius images in Germany

Medium in Poland

Photo12 in France

Tongro in Korea

UPPA in the UK

REA in France

Voetbal International in The Netherlands


The Amsterdam Arena

How exciting to launch a book of African journalism in the Amsterdam Arena. Africa United: The road to Twenty Ten showcases some of the best work that has come out of the Twenty Ten project so far, so it was certainly a milestone in the project for all of us.

Edited by Stefan Verwer, Marc Broere and Chris de Bode and published by KIT Publishers, the book is an Everyman’s poignant guide to the role of football in Africa, as told by writers and photographers from across Africa.

Andrew Esiebo, a Twenty Ten participant whose photographs appear in the book, presented the book to Ajax footballers Maarten Stekelenburg and Eyong Enoh.

Guest speaker Guy Berger, head of the School of Journalism and Media Studies at Rhodes University

Africa United can be ordered through KIT Publishers.

Google sued by photographers The American Society of Media Photographers, the Graphic Artists Guild, the Picture Archive Council of America, the North American Nature Photography Association, and the Professional Photographers of America have all joined together to sue Google over copyright infringement, claiming that the search giant has scanned millions of books and magazines that include copyrighted images, then displaying those images without consent.

The suit was filed in the same court where Google’s long standing Book Search settlement is being considered. In that case, Google agreed to pay a $125 million settlement to compensate the rights holders.

Adds ASMP General Counsel Victor Perlman: “We are seeking justice and fair compensation for visual artists whose work appears in the twelve million books and other publications Google has illegally scanned to date. In doing so, we are giving voice to thousands of disenfranchised creators of visual artworks whose rights we hope to enforce through this class action.”

Google responded, via eweek: “We are confident that Google Books is fully compliant with U.S. and international copyright law.”

Yes, their copyright has been infringed. But is there anything to be gained by suing? I would suggest this cost and energy is far better used looking towards a long — heck, even medium — term sustainable strategy for the photographic industry.

The concept of copyright was an excellent one for its time, but I believe that time is coming to an end in many instances, and the Creative Commons movement is more viable and, I believe, more fundamentally honest. It’s one that I think that we, as African media practitioners, should become familiar with so that we can start integrating it into our work. I don’t believe we have to choose the one system of the other, however, but should rather be familiar enough with the concepts of rights and responsibilities to be able to share our material for education and news needs, but keep a tight enough handle on it to make a profit.

It brings us back to that issue of obscurity versus piracy – which is the greatest danger for the African photographer? I would suggest the former.

Here is the third post featuring one of our print journalists in our series highlighting some of the content produced by individual members of the newly selected Dream Team. You can go directly to Africa Media Online to view the full articles and all images and gain publishing rights to them. The ‘Allstar’ and ‘Dream Team’ journalists of the Twenty Ten Project can be commissioned for specific projects in their home countries or in South Africa during the build-up to the 2010 World Cup. So, please feel free to contact us with story ideas you’d be interested in.

Mark Namanya is based in Uganda where he is the sports editor for the Daily Monitor. In November we posted an article about Mark’s impressions of South Africa and the impact of Western media on his preconceptions of the country. Mark has written one article so far for the Twenty Ten Project’s Africa Media Online. The article focuses on the 100 year rivalry between two soccer clubs based in Cairo, Al-Alhy and Zamalek. He gives an account of how this soccer made capital becomes “football crazy” on the day of this yearly soccer match.

Crazy fans enjoy life in the slow lane

Mark Namanya/Daily Monitor/Twentyten

Location: Cairo, Egypt

Take an iconic city, quadruple its population, add a few million foreign visitors, throw in the mother of all traffic jams for good measure and then stage one of the most passionate sporting occasions imaginable and what do you end up with?
“Madness,” most people would call it.
In Africa, they have another word for it: “Cairo”.
You certainly have to be crazy – and football crazy in particular – to venture out into the streets of the Egyptian capital on the day of the Al Ahly-Zamalek derby.
Few sporting occasions around the world can match its intensity. The two clubs have a rivalry which can be traced back almost 100 years and which has dominated Egyptian football for as long as most people can remember.
When the two sides meet – or, indeed, when Egypt take…

FOR THE FULL STORY OF 860 WORDS CONTACT pictures@africamediaonline.com

The Dream Team will be producing content all the way through the end of the World Cup and beyond. If you are intersted in purchasing some of our content or commissioning a specific piece please feel free to contact us.

Here is the second post featuring one of our print journalists in our series highlighting some of the content produced by individual members of the newly selected Dream Team. You can go directly to Africa Media Online to view the full articles and all images and gain publishing rights to them. The ‘Allstar’ and ‘Dream Team’ journalists of the Twenty Ten Project can be commissioned for specific projects in their home countries or in South Africa during the build-up to the 2010 World Cup. So, please feel free to contact us with story ideas you’d be interested in.

Nanama Keita is a Gambian journalist who has written articles for a number of Africa publications including the The Daily Observer and a range of online websites including Gambia Now.

In this article Nanama talks about the Ghanaian national team being the first team to qualify for the 2010 FIFA World Cup. Here is a snippet of the text article. You can purchase the full article the Twenty Ten Project’s Africa Media Online Website

Ghanaian opportunity

Nanama Keita/Daily Observer/Twenty Ten

When Ghana became the first African country to qualify for the 2010 World Cup, the cash register started ringing in the West African nation.
The Black Stars over-came visiting Sudan 2-0 in the Group D joint qualifiers in Accra on September 6, to earn themselves a second successive appearance in the 79-year-old World Cup tournament.
The World’s most prestigious football event, which is played once every four years, will come with its usual tears, controversy and the triumphs and millions of us will be bound to our seats for four action-packed weeks.
Although the tournament will be over in just four weeks, the economic legacy of the 32-team tournament may be felt longer in the cocoa-rich nation of Ghana.
With qualification now in the bag, the Black Stars and their faithful, now believe huge financial opportunities will come pouring into the country.
Projections, based on the team’s first-ever appearance in Germany 2006, suggest the gold-rich West African nation could benefit from up to US$15m.

FOR THE FULL STORY OF 701 WORDS CONTACT pictures@africamediaonline.com

Here is the first post featuring some of our print journalists, the previous four entries featured the works of photo-journalists, in our series highlighting some of the content produced by individual members of the newly selected Dream Team. You can go directly to Africa Media Online to view the full articles and all images and gain publishing rights to them. The ‘Allstar’ and ‘Dream Team’ journalists of the Twenty Ten Project can be commissioned for specific projects in their home countries or in South Africa during the build-up to the 2010 World Cup. So, please feel free to contact us with story ideas you’d be interested in.

In this post we feature the work of Joseph Opio from Uganda. Joseph wrote a great piece on the failed rising of a potential soccer playing great called, Nii Lamptey of Ghana. Nii was supposed to be the next Pele, “So dazzling was the Black Starlet that Pele remarked that “Lamptey is my natural successor.” The Brazilian legend had just watched Lamptey pick up the FIFA U-17 World Cup and the Golden Ball for good measure. Lamptey, midfield sorcery notwithstanding, had managed to top-score with four goals as well.”

Here is a snippet of the rest of this article, which can be purchased via our website:

The tragedy of Nii Lamptey…and his quest for redemption

Article Synopsis: Lamptey was once Ghana’s most precocious gift. But his star flared all too briefly before being extinguished by a cocktail of dodgy agents, a numbing lack of education and treasonable neglect from the game’s overseers.

Text: Greater Accra, Ghana: Cocoa is Ghana’s leading export. But, lately, cocoa’s visibility as the country’s main foreign exchange earner is, at least symbolically, running into a challenge from Ghana’s talent at football.

Football has established Ghana as a hotbed of talent. And seduced, hawk-eyed scouts scour this terrain of 22 million, desperate to unearth the next big thing…or for the most optimistic, the next Nii Lamptey.

If the name rings no bell, dear reader, blush not! Lamptey was once Ghana’s most precocious gift. But his star flared all too briefly before being extinguished by a cocktail of dodgy agents, a numbing lack of education and treasonable neglect from the game’s overseers.

Ghana’s first genuine wonder kid burst into prominence at the 1991 World Youth Cup where his golden potential made other whiz kids like Argentina’s Juan Sebastian Verón and Italy’s Alessandro del Piero look like base metal.

So dazzling was the Black Starlet that Pele remarked that “Lamptey is my natural successor.” The Brazilian legend had just watched Lamptey pick up the FIFA U-17 World Cup and the Golden Ball for good measure. Lamptey, midfield sorcery notwithstanding, had managed to top-score with four goals as well.

“When Pele said I could go on to become like…

FOR THE FULL STORY OF 825 WORDS CONTACT pictures@africamediaonline.com

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